Baghdad Early Islamic Civilization Assembly Cast size: 30 - easily adaptable up or down as, besides the Narrator, the speaking parts are just numbered 1 - 29. Duration: Around 15 minutes reading time (not including music suggestions) This assembly is intended as a celebration of learning and toleration. And it is to this end that the focus is on the work of the individual scholars, working in unison in Baghdad, during this Golden Age. Included is a brief comparison of ‘East and West’– comparing London and Baghdad. Also available from Sue Russell: • Baghdad Early Islamic Civilisation Guided Reading Scripts 5 scripts, 6 speakers each, plus quiz for each script. Approximately 5 minutes reading time for each (not including the quiz) 1. When? 2. Where? 3. The Story of Muhammed 4. Beliefs of Islam 5. World Religions And • An Assembly on Islam which tells the story of Muhammed and gives a brief outline of Islamic beliefs Sample Text: Music 1 Golden Years – David Bowie; or Imagine – John Lennon (Children file in, taking places along two rows of 15, facing the audience) Narrator: Good morning and welcome to our assembly on Whole cast: (Together) Baghdad and Early Islamic Civilisation (Child 1, 2 and 3 stand up with 3 banners: Golden Age, Learning and Tolerance) Narrator: Aha! And when was this Golden Age? Child 1: It was between the seventh and thirteenth centuries. That is, around six to twelve hundred A.D. Narrator: That’s a long time (looking towards Child 2 and 3) to be learned and tolerant! Child 4: Oh. You’d be surprised what mankind is capable of when the conditions are right! Narrator: (Looking at cast) Well. I think we need to find out what these ‘conditions’ were, don’t you? (Narrator ushers Child 2 and 3 with banners Learning and Tolerance to front of ‘stage’) After all, aren’t Learning (Child 2 waves banner) And Tolerance Child 3 waves banner) Two of the most important ingredients to a happy and stable society? Child 4: And a happy and stable school! Child 5: Yes, we (gesturing to cast) have all learned a huge amount about the importance of Learning and Tolerance Child 6: Just by doing this assembly! Narrator: How so? Child 7: Well, we’ve learned all about this amazing civilisation that we knew nothing about before Child 8: And we’ve learned how it actually was, and is, possible to work together for the greater good.

Lent Assembly or Class Play So, what are you giving up this Lent? As usual, our poor narrator has dubious task of coaxing sensible - make that, any - sort of response out of his reluctant cast! And as for even thinking about giving up chocolate - well, let's just say, the devil knows better! Although there is the usual high quotient of humour in this play, the subject matter is serious - and there is a clear explanation covering what Lent is all about. Duration: approximately 10 minutes reading time - longer with inclusion of mixture of beautiful and comical music. Written for cast of 30 - easily adaptable up or down. Sample Text Child 5: Lent covers a period of forty weekdays – that’s approximately six weeks but not including Sundays. Child 6: During this time Christians traditionally devoted themselves to fasting, abstinence and penitence. Child 7: In other words, leading a less extravagant lifestyle and reflecting on how they could improve themselves. Child 8: You mean, recognising their faults and doing something about it? Child 7: That’s right. Child 9: Hmm. Fair enough. But going without food for forty days? I’m not sure about that one! Child 6: Nah! You remember I used the word ‘traditionally’? Well, Christians have become a lot more relaxed about fasting these days. Most people today just give up something like, well, chocolate for example! Child 10: (Exclaiming indignantly) Chocolate? Going without chocolate for forty days? Are you serious? Narrator: Oh come on! Surely you could survive without chocolate for forty days? Child 10: (Emphatically) I don’t think so! Narrator: Forty hours? Child 10: No! Narrator: Forty minutes! Child 10: (Hesitantly) Hmm, maybe Narrator: (Impatiently) Forty seconds? Child 10: (Triumphantly) Done! Narrator: So let’s talk about what this Lent is all about. (To Child 10) And then we might have some ideas about what to do with you! Why, for example, does Lent last for forty days? Child 11: This was the period of time Jesus spent in the wilderness, fasting and praying, before beginning his public ministry. Child 12: The wilderness? Sounds like a pretty scary place to be! Child 13: It was! Let’s see just how scary it was and how Jesus dealt with it!

Educate Against Hate Assembly This script is suitable for secondary school children – possibly for upper end primary; but I think given the subject matter it is perhaps appropriate for a more mature age. The main focus is that of promoting the bigger picture in schools to our children so that they are not taken in by the 'smaller picture' and/or swayed by the dogmatic views of extremists. I would like to stress that this script is not intended as a ‘piece of politics’ but as a message of common sense. Cast Size 30 - easily adaptable up or down. Duration Around 10 to 15 minutes. Sample Text: Child 21: But how do people get so hoodwinked into listening to this stuff? How can they not see what is going on? How can they be so misguided? Child 22: Because they are vulnerable. That is why these extremists choose them. They pick on people who have not had the education to question what is put before them. The extremists know this. They know full well that faced with a bit of rational questioning they would be shown up for what they are. Child 23: Complete and utter frauds. Narrator: That is why education is so important. Hopefully if you give children the bigger picture, they will see what is wrong with this smaller one that is being offered. Child 24: You will never remove evil from the world completely. Child 25: There will always be those who seek to exploit the weak, who trade on others’ unhappiness. Child 26: Which is why we must stay strong and protect those who need protecting from these evil people. Narrator: That is our job as educators. To give children the big picture and provide them with coping mechanisms when things look bad. Child 27: Yeah. You can’t go through life in permanent sunshine. Child 28: And some do undoubtedly have a much tougher time than others. Child 29: But bowing to evil, to the demands of extremists? Child 30: That is not the answer. Narrator: We have to show a united front (pauses) knowing that good, through education, will prevail over evil in the end.

Holi Hindu Spring Festival of Colours Assembly A riot! An explosion of colour! Well, not quite. It's those wretched Health and Safety Regulations spoiling all the fun again. That, and a teacher who's prime concern is not to upset the caretaker. But never fear, fun usually succeeds at finding a way through - and there is a great deal of Bollywood dancing and laughter along the way! Oh plus some facts behind the festival of course! Cast of 30. Duration 10 - 20 minutes depending on amount of music/dancing Sample Text: Narrator: Er wait a minute! Don’t go spilling any of that blue paint on this floor! Krishna: But that’s the fun of Holi! Radha: Everyone does it! Narrator: Not on my watch, they don’t! (Narrator ushers Krishna, his mother and Radha back to their seats) Narrator: (Sighing heavily) Phew! That was a close one! Things could have got well out of hand then! (To Group 1) Come on children! Let’s hear some more about Holi! Child 11: Only if we can have a bit more dancing, first! Narrator: (Spluttering) But, but … that’s blackmail! (Group 1 all nod their heads) Narrator: Oh, very well. I don’t suppose it can do any harm! (Enter group of dancers) Music 3 (Dancers do Bollywood routine to music) Narrator: (Applauding) Bravo! Well done! (To audience) You know something? This dancing is rather good, isn’t it? (Exit dancers) Child 1: Well of course it is! Holi is all about joy and fun Child 2: And that’s what dancing is about! Child 3: (Muttering) That and the paint throwing! Narrator: Now! Now! We’ve been over that! Child 4: So, we can have some more dancing, instead? (Narrator gestures dancers, who’ve got to their feet again, to sit down) Narrator: In a minute! Oh my! What is it with everyone this morning? What do you think this is? Child 5: A festival? Child 6: (Indignantly) That’s what it’s meant to be! Child 7: A celebration of good over evil! Child 8: A celebration of the start of Spring! Child 9: The end of winter! (Everyone cheers) Child 10: It’s about love and getting on with everyone. Child 11: And giving everyone what they want and enjoy. (To Narrator) More dancing? Narrator: (Sighing) Oh very well! (Enter dancers) Music 4 (Dancers do Bollywood routine to music – Narrator joining in at the side) Narrator: (Applauding) Oh bravo! (To audience) It is rather catching, isn’t it?

Harvest Festival Whole Class Assembly This class assembly, written for cast of 30 (easily adapted up or down) is a kind of alternative Harvest Festival, the suggestion being the class are the crop with teachers as harvesters. Duration around 10 - 20 minutes depending on how much music is used. Starting with hymn 'We plough the fields and scatter' and ending with beautiful Michael Jackson song - 'We are the world, we are the children' which sums up the message behind this assembly. Also available - another Harvest Festival script written for just 6 speakers (feathery fowl!) but with suggestions in productions notes as to how to convert this into whole class assembly. Sample Text Child 1: It’s easy because all you have to do is give or share whatever gift you have! Narrator: Wait a minute! You’re losing me! (Repeating) ‘Whatever gift you have’? Child 2: Right! We all have our own special gift to give! Child 3: Bit like a seed in all of us. Child 4: Sometimes that seed germinates by itself Music 2 (Enter Child 5, singing, as ‘rock star’ – choice of ‘rock star’ track down to children) Narrator: (Applauding) Wow! That’s some voice you’ve got! Child 5: Well, thank you. But it wouldn’t mean anything to me unless I could share it with my fans! (Exit Child 5) (Enter Child 6, writing) (Narrator walks over to Child 6, who gives notebook to him/her to read) Narrator: Wow! How did you come up with all these ideas? What a story! Child 6: Thank you. And it’s the fact I can share it with all my hundreds of thousands of readers that makes it so special to me. (Exit Child 6) Child 7: But we’re not of course suggesting we can all be rock stars or famous authors! Child 8: Some of us, despite huge talent, may reach a much smaller audience. Child 9: Fame isn’t everything and it is only the tiny minority that achieve it. Child 10: Which isn’t to say we shouldn’t all strive to make the very most of whatever gift we possess. Narrator: Ah! I see! (Pauses) By ‘gift’ you mean ‘talent’? Child 11: That’s right! And we all have our very own special talent – even if it doesn’t bring us fame and riches! Child 12: (Grunting and pulling a face) Hmm. That’s a shame!

Pancake Day Assembly or Class Play Cast of 30. Duration 15 - 20 minutes. Maybe a case of too many cooks in the kitchen? And whoever said flipping a pancake was easy? Definitely time somebody in the kitchen gave up something for Lent - could the belly size of that Master Chef, Monsieur Bon Appetit, be a clue? This is a light-hearted assembly based on Shrove Tuesday - otherwise known as Pancake Day or Mardi Gras - Fat Tuesday! Sample Text: Narrator: Hmm! But the whole point of Shrove Tuesday Chef 13: Is that it’s the last day before Lent! Chef 14: Which is all about giving up things. Narrator: And how long does Lent last? Chef 15: Well, traditionally it’s forty days Chef 16: Between Ash Wednesday and Maundy Thursday Chef 17: Or around six weeks leading up to Easter. Narrator: OK. So going back to Shrove Tuesday, why the pancakes? Chef 18: Well, I guess they’re a way of using up things like eggs, milk and sugar before this time of fasting? Narrator: (Clapping) Ah! You guess right! Congratulations! So, what are we waiting for? (Enter Master Chef) Master Chef: Or shouldn’t that be, who are we waiting for? Don’t tell me you’ve forgotten Moi? Narrator: Ah! You must be Master Chef: Monsieur Bon Appetit! Narrator: A fine name Master Chef: For a fine chef! The best! Moi? Je suis magnifique! Narrator: (Aside) And so very humble! (To Master Chef) Monsieur, we are delighted you could join us today! Master Chef: Mon plaisir! (Looking around) So, where is mon cuisine? (Everyone looks around in confusion) Narrator: Er, I think it might be helpful if you could try and stick to English. Master Chef: (Huffily) As you wish! So, where is my pan? Where are my ingredients? Where Narrator: (Interrupting) Oh don’t worry! We’ve got all that sorted! Look! You have an army of chefs to help you! Master Chef: (Muttering to audience) Hmph! Ever heard the expression ‘Too many cooks spoil the broth’? Narrator: Sorry, we didn’t quite catch that! Master Chef: Oh don’t worry! Just saying what a delightful set of helpers I have here today! So, let us start. (Enter Chefs 19 - 28 with ‘kitchen props’; chefs proceed to prepare pancakes under watchful eye of Master Chef, who stands over and checks their every move, occasionally stepping in to show them how it is done ‘properly’)

Adam and Eve in the Garden of Eden Assembly Class Play for 7 – 11 year olds: Key Stage II This is the second in the Biblical Banter series – a script that has been written in 2 versions, for both younger (5 – 7 year olds) and older (7 – 11 year olds) children – both versions available separately off the website. Please note – this script is for the older age group. The writer, Sue Russell, has to date written three other scripts in this series, including The Creation, Noah’s Ark and Jonah and the Whale. Duration: Around 10 minutes reading time - double this for inclusion of songs/music. Cast of 30 - though this could be reduced right down to 5, as explained in Production Notes (only 7 actual speakers - rest part of Animal Kingdom, Circle of Life, routine) Interesting choice of music - including Barbie Doll and Something Wrong in Paradise ..... not forgetting, of course, ..... Temptation! Sample Text: Music 2 Temptation – Heaven 17 Serpent: Good day to you! So (hissing) nice ..sss sssssss to meet you! Adam: A pleasure to meet you too. (Looking up into the branches of the Tree of Knowledge). So is this where you hang out? Serpent: Oh yessssssss. Nice ..sssssssss, issssssssn’t it? God: Hmm. Very pleasant. But of course this tree is quite different from every other tree in the garden. Eve: Oh really? And why is that? God: (To Adam) You mean you haven’t told her yet? Adam: Oh, I was just getting round to it! God: (Angrily) Just getting round to it? You need to get round to things around here a lot quicker than that …. Or you’re going to get into all sorts of trouble. Monkey: (Aside) What was I saying? Eve: So, what is it with this tree? God: This tree just happens to be the Tree of Knowledge – of good and evil. Eve: Ooh. I don’t like the sound of that last bit. God: It’s not a ‘bit’ you have to worry about … (pauses) but a bite! One bite of one of these apples … (pauses) and you’re dead .. or as good as! Eve: Dead? God: Correct. Kerput! They are forbidden! Forbidden fruit, get it? (Adam puts his arm reassuringly around Eve) Adam: But don’t you worry your sweet pretty head, Evie! There are plenty of other apples and fruit to eat from, in this garden!

Jonah and the Whale Assembly Class play for 7 – 11 year olds - Key Stage II This is one of the Biblical Banter series. The writer, Sue Russell, has to date written three other scripts in this series, including The Creation, Adam and Eve in the Garden of Eden and Noah’s Ark. Cast of 30 - easily adaptable up or down. Duration: Speaking time around 15 minutes. This does not include a great playlist of 10 songs which could potentially double time of performance to 30 mins at least! Sample Text: (Sound of thunder and lightning) Captain: Whoah! What was that? Sailor 2: Sounded like thunder and lightning to me! Sailor 3: Oh oh! That’s not good! Jonah: (Nervously) What do you mean? Sailor 4: He means, there’s a storm approaching! Jonah: Oh, that’s all right! I’ve brought an umbrella! (All sailors laugh) Sailor 5: Er, you’re going to need a little more than an umbrella if this storm takes a hold! (Boat starts rocking furiously, as sound of raging wind gathers momentum) Sailor 6: Whoa! Hold on everyone! Sailor 7: We’re in for a rough one! Jonah: (Holding his stomach) Oh dear, I’m beginning to feel a bit queasy! Sailor 8: You’ll be feeling more than that if you don’t get a move on and help! (Everyone rushes around trying to tie things down; storm continues to get worse and worse) Sailor 1: My! This is some storm! Sailor 2: We’ve never had one like this before! Sailor 3: Something tells me someone on board has brought with them more than a little bad luck! (All sailors round on Jonah) Jonah: Who? Me? Captain: Tell me again why you wanted to join my crew on this trip? Jonah: (Spluttering) I, er, well, it’s like this Captain: Come on man, spit it out! What’s your real story? Jonah: (Sighing) OK. I suppose you deserve the truth. You see, I was running! Sailor 4: Running? Sailor 5: Away from what? Jonah: Away from my God. (All Sailors groan and clutch their heads) Captain: Well, that explains it! Had I known, I’d never have allowed you on board my ship!

Islam Assembly or Class Play Cast of 30 - easily adapted up or down Duration - around 10 minutes reading time, not including music at beginning and end This assembly on the Islamic faith tells the story of Muhammed and gives a brief outline of Islamic beliefs. It is delivered by a Narrator plus speakers numbered 1 - 29. This script would be a useful supplement to the Baghdad: Early Islamic Civilisation script - as a description of Islam as a religion - with accompanying message of peace and respect for all learning. Sample Text: Narrator: Good morning and welcome to our assembly on Islam. Let’s start with what Islam means. Child 1: Islam is the Arabic word for submission. Narrator: I’m guessing, submission to a god? Child 2: One god – Allah! Narrator: And the origins of this religion? Child 3: The religion started AD 610 when Muhammed heard the word of God through the Arch Angel Gabriel. Narrator: And where was this? (Child 3 holds up map of the world) Child 4: (Pointing to Saudi Arabia) Here, in Saudi Arabia, in the city of Mecca. Narrator: And this Muhammed – tell us a bit about him. Child 5: He was born AD 570, at Mecca. Child 6: His family were very poor and he was orphaned at an early age. Child 7: However, he became rich as a caravan leader Narrator: (Looking puzzled) Why would you need to lead a caravan? Don’t you just pull them behind your car? Child 8: No, not that kind of caravan. These were camels, led across the trade routes, carrying goods to be sold at market. Narrator: Aha! Camel caravans! Now I get you! Back to Muhammed! Also available from Sue Russell: An assembly on the Baghdad Early Islamic Civilisation & Baghdad Early Islamic Civilisation Guided Reading Scripts: 5 scripts, 6 speakers each, plus quiz for each script. Approximately 5 minutes reading time for each (not including the quiz) 1. When? 2. Where? 3. The Story of Muhammed 4. Beliefs of Islam 5. World Religions

Easter Story Assembly Cast of around 30 Duration: Around 10 minutes reading time (this does not allow for changes of scene, music etc taking play to around 20 minutes) This Easter Story class play relates to all the major events: Jesus' jubilant entry into Jerusalem, Jesus' fury in Temple, Judas' act of betrayal, The Last Supper, Arrest in Garden of Gethsemane, Caiaphas' 'verdict', Roman Trial with Pontius Pilate leading to Crucifixion, Tomb scene and Peter's summing up at the end. The play begins and ends on a jubilant note - starting with 'Give me Joy in my Heart' and ending with 'Lord of the Dance'. SAMPLE TEXT: Scene 1 Jerusalem Music 1 (Child 1 and 2, Woman 1 and 2, plus lame child stand in a line, waving palm leaves over their heads, and singing chorus to the hymn, whilst eagerly awaiting arrival of Jesus. Standing to one side of them are two stern-looking priests, scowling in disapproval) (Enter Peter) Peter: (Addressing singers) Wow! What joyful music! Tell me. What are you celebrating? Child 1: Haven't you heard? Peter: Heard what? Child 1: Of the coming of the Son of God? Child 2: Of the King of the Jews? (Enter priest 1 and 2) Priest 1: Son of God, did you say? Priest 2: King of the Jews, did you say? Woman 1: Why, haven't you heard? It was prophesied He should enter Jerusalem, on a donkey. That's what we're all waiting for! Woman 2: (Holding hand of lame child) I'm hoping he can heal my little lad - that he can perform a miracle. Just as he has done for so many others! Woman 1: What a wonderful man! What power he has! (Priest 1 and 2 take themselves to one side, to continue their conversation between just the two of them) Priest 2: Who is this man who claims to be king and Son of God? Priest 1: And those ‘magic powers' of his? I don't like the sound of them, one little bit! Priest 2: What would our High Priest say? What would King Herod say? Priest 1: Guilty on two counts, me thinks! Priest 1: Blasphemy and treason! Priest 2: Let's hang around and see this king for ourselves! Child 1: Here he comes! Here he comes! Woman 1: Blessed is he who comes in the name of the Lord! Woman 2: Blessed is the great prophet from Nazareth! (Enter Jesus. Walks along ‘crowd' of well-wishers, all waving palm leaves and singing. At the end of the ‘line', Jesus stands smiling, enjoying the singing)

St. George's Day Assembly or Class Play What on earth could the queen of England, our narrator alias Beefeater/guard of the Tower of London and the Artful Dodger have in common? Read on to find out what 'Twist' turns the Artful Dodger into Sir Artful Dodger! Cast size: 25 but easily adjusted up or down Duration: Around 20 minutes (depending on how much music is used) The focus of this play is London. Time constraints meant I just touched on England's history - events and people. I have addressed this 'shortfall' in the collection of guided reading scripts (available separately). Sample Text (Enter Sir Winston Churchill, smoking a pipe) Narrator: Ah, Sir Winston Churchill! Thank goodness. You pulled us through that Second World War - can you help me deal with this group of .. of ... super-women? Sir Winston Churchill: What? This lot? Leave it to me! Music 5 Who Do you Think You Are - Spice Girls (Spice Girls sing and make threatening gestures toward Sir Winston Churchill, who cowers and runs off stage) Narrator: (Aside) Hmm. Time for a different kind of ‘Help!" (Turning to Spice Girls) Hey girls, here come the Beatles! Spice Girls: (Together) Beetles? Did someone say, beetles? (All Spice Girls scream and run off stage) Music 6 Help - Beatles (Beatles stride on, singing Help!) Narrator: OK! That's probably as much help as I need! Thank you, boys! Beatles: (Together) No probs! (Exit Beatles) Narrator: So. Enough of this frivolity! Back to the serious stuff! Take my job at the Tower, for example (Queen Elizabeth runs back onto stage, in state of total panic) Narrator: Your Majesty! Whatever is the matter? Don't tell me you spilt your tea? Queen Eliz: (Gasping) Haven't you heard? Music 7 London Bridge is Falling Down (Cast sings first verse) Narrator: But that was around one thousand years ago, Your Majesty! It has been rebuilt several times since then! Queen Eliz: No! No! It's not that I'm worried about! Narrator: Oh no! Don't tell me the Thames Barrier has failed? Queen Eliz: What? The world's largest movable flood barrier? Of course not! Narrator: So. Has Buckingham Palace been burgled? Music 8 They're Changing Guards At Buckingham Palace (Cast sings first verse, as two guards in uniform march up and down) Queen Eliz: What? With my fine guards to keep us safe? I don't think so! Narrator: (Gasping) Don't tell me St. Paul's Cathedral has burnt to the ground again? Queen Eliz: (Sighing in exasperation) No. Our fire service has improved a little since that Great Fire of London!

The Good Samaritan Assembly or Class Play Cast of 30 NB: The other play, with a cast of 10, available as a separate purchase, is a re-telling of the parable with complementary discussion notes on the bystander effect. This full-length assembly with a cast of 30 starts with this same cast of 10 but has an additional 20 speakers dealing with ‘the bystander effect’ with reference to today’s society, delivered via five different scenarios. Duration - around 15 to 20 minutes Sample Text Scenario 1 - A young boy/teenager being beaten up by a group of other teenage boys (Enter 5 boys and 5 bystanders) (Bystanders in two groups, chatting amongst themselves; group of five boys chatting/messing around) (Suddenly four boys ‘fall out’ with the fifth boy and set upon him, ‘beating him to the ground’) (Bystanders look on bewildered before walking off hurriedly) (Four boys do a ‘high five’ and walk off, leaving the fifth boy, sprawled on the ground, moaning) (Enter Good Samaritan, who helps boy to his feet and helps him back to his seat) Narrator: (Jumping out of his seat) Bravo! You’ve done it again! Good Samaritan to the rescue! Good Samaritan: So, what about those other people who were there and witnessed what happened? Where did they go? Let’s call them back. (Good Samaritan gestures to five bystanders to come and join him) Good Samaritan: So. What was going on there? Explain yourselves, please. Bystander 1: Oh, you know how it is. Bystander 2: Boys will be boys! Bystander 3: Just thought we’d let them get on with it. Bystander 4: Nothing to do with us! Bystander 5: We didn’t want to get involved Good Samaritan: So. Let’s get this straight. You were happy to risk that young boy being severely injured. Perhaps worse. Bystander 1: (Laughing nervously) Oh let’s not exaggerate! (All bystanders nod in agreement) Good Samaritan: But you didn’t know he’d be all right, did you? (All bystanders shuffle their feet nervously and look to the ground) Good Samaritan: No, you didn’t! Shame on you for walking away! Bystander 2: But what could I have done? Bystander 3: I’m no fighter! Bystander 4: What if they’d turned on me? Bystander 5: I didn’t want to get hurt! Good Samaritan: So, it was OK to let someone else get hurt? Bystander 1: Well, Good Samaritan: (Exploding) No it wasn’t! And you all know it!

St. George and The Dragon Assembly - Key Stage One Slightly alternative version, this one, with just one knight in shining armour amongst 14 pairs of princesses and dragons! You could say, speed dating with a difference! Whatever way you look at it, the outcome is very different from the usual version of the story. The cast is adaptable to any size class - just adjust the number of princesses and dragons! Duration: around 10 - 15 minutes (Reading time just 5 minutes but this does not allow for music suggestions and ‘parade’). Sample Text: Princess 1: (Interrupting whilst preening herself) I’m the beautiful princess! St. George: (Looking unimpressed) Oh, really? Princess 1: (Stamping her foot angrily) Yes, really! (To St. George) And who are you? St. George: St. George, since you ask! Princess 1: (Shrieking) No! There must be some mistake! Narrator: Sorry? What do you mean? Princess 1: Well, look at him! He’s meant to be handsome! St. George: And you’re meant to be?(pauses) … what was it? Oh yes, beautiful? (St. George and Princess 1 stand glaring at each other) Narrator: Now! Now! This will never do! As hero and heroine, you are meant to be in love! Princess 1: No way! St. George: Not likely! Narrator: (Clutching head and holding up notes) Oh for goodness sake! How am I going to make this work? St. George: Start with the dragon! (Aside to audience, pointing at Princess 1) And I don’t mean her!

Salem Witch Trials Guided Reading Scripts 5 plays (6 speakers each) and 5 quizzes Boredom, over-active imaginations and a certain flair for amateur dramatics - all fatally combined to produce one of the cruellest travesties of justice in U.S. history. 19 hangings of complete innocents, labelled as witches ... by children. Who, or what, was to blame? Sift through some very suspect evidence and draw your own conclusions, from this set of guided reading play scripts, covering the course of those infamous events. Play 1 First Accusations Play 2 The First Hanging (June 10th) Play 3 Second and Third Hanging (July 19 and August 19) Play 4 Fourth Hanging (September 22nd) Play 5 History's Verdict - Who was to blame? Sample Text Betty: That's right, papa! We would never lie to you! Abigail: We were good girls! Sarah Good: And I wasn't? Good by name and good by nature, that was me - until you and your friends blackened my reputation. Rev. Parris: Not so hard, from what I can remember! Begging in the streets! Betty: And muttering threats whenever she was turned away! Sarah Good: According to you, a mere child! Whoever heard of taking a 9 year old's word against an adult's? Sarah Osborne: And a bored 9 year old at that, with nothing better to do than spread trouble. Tituba: What an imagination! Nearly as vivid as those tales from the Caribbean I told! Abigail: We certainly were a ‘captive audience'. Rev. Parris: My poor girls! In the power of those wicked witches! If you could have seen them .. Sarah Good: Squirming and screaming! Sarah Osborne: Barking and howling! Oh we saw them all right - along with everyone else in those crowded trial rooms! Tituba: What a performance! A few centuries on and you'd have got yourselves an Oscar!

Baghdad Early Islamic Civilisation Guided Reading Scripts 5 scripts, 6 speakers each, plus quiz for each script. Approximately 5 minutes reading time for each (not including the quiz) 1. When? 2. Where? 3. The Story of Muhammed 4. Beliefs of Islam 5. World Religions An assembly on the Baghdad Early Islamic Civilisation is also available from Sue Russell plus An Assembly on Islam which tells the story of Muhammed and gives a brief outline of Islamic beliefs Sample Text Script 1: When? Narrator: So. When does the story begin? Child 1: Well, I suppose you could say it started with Muhammed. Child 2: He was, after all, the founder of Islam. Narrator: Dates? Child 3: Muhammed was born around 570 AD. Child 4: Islam began in 610 AD when Muhammed became Allah’s messenger Child 5: His prophet. Narrator: And what was his mission? Child 5: To deliver the Qur’an or the Word of God. Narrator: Aha! So that was how Islam began. Now let’s talk about how it spread. Child 1: Well, Muhammed himself died in 632 AD Child 2: But his followers continued to spread the message of Islam. Narrator: You mean, Muslims? Child 3: Correct. And today there are over one thousand million! Narrator: But let’s not gloss over the history that quickly! I want to hear all about that Golden Age! Child 4: Ah! You mean up until the 14th century? Child 5: Yes. Shame about those Mongol invaders, destroying pretty much everything they could lay their hands on. Child 1: Which included that amazing city of Baghdad!

The Mayflower Set of Guided Reading Scripts or Class Play Includes Poem – The Mayflower – written by Sue Russell From Scrooby, to Amsterdam, to Leyden, to Plymouth in the ‘New World' - hardly the most direct route those Pilgrims could have taken (did they not have Satellite Navigation Systems in those days?!)And it was hardly ‘plain sailing' all the way when they got there - disease, harsh environment, terrible weather - certainly a disappointment for anyone out for a holiday! But after such unpromising beginnings, great things developed -including friendship with the locals, defying all fears previously harbored; and a great Thanksgiving tradition born (minus the turkeys and cranberries - let's try to stick to the facts here!) This Class Play, written to Readers Theater format, is written in 5 parts: 1. Background 2. Mayflower Voyage 3. First Sight of Land 4. First Winter and Spring 5. First Thanksgiving with 6 speakers for each part. The play can be used either within the classroom, reading out loud in groups of 6; or as a ‘performance' with the optional inclusion of music and a ‘Mayflower Song'. Sample Text 1.Background Speakers: Narrator William Brewster (Became religious leader of Plymouth settlement) William Bradford (Became second governor of settlement - for 36 years) Dorothy Bradford (Wife of William) Richard Clyfton (Preacher - stayed in Amsterdam) John Robinson (Teacher - stayed at Leyden) Narrator: Our story begins in the year 1606 - in the tiny English village of Scrooby. Dorothy: Are you men still sitting around talking? Bradford: Indeed we are! Robinson: We have so much to discuss, before we depart these fair shores - for Holland. Dorothy: Are you sure it is necessary for us to make this move? Clyfton: If it wasn't, we certainly wouldn't be doing it. Dorothy: I mean, all that upheaval and disruption to our lives and our children's .. Brewster: We understand just how you feel. But we have no choice. Bradford: If we stay here we will continue to be persecuted Clyfton: And for what? What is our crime? Robinson: Only that of wanting a simpler form of worship Clyfton: One that doesn't require there to be a priest between us and God. Extract from ‘Mayflower Song' (set to Bobby Shafto tune) Just the Mayflower fit to sail Things went fine until that gale Then directions them did fail And sent them too far northward.

St. George's Day Set of 5 Guided Reading Plays on England: 1. St. George Meets Robin Hood 2. A Brief History of the English Monarchy 3. Famous People 4. England's Geography and 'Places' 5. English Customs This set of 5 plays, with 6 speakers each, plus quizzes, was written in celebration of St. George's Day. Narrated in all 5 plays by St. George himself, .... with a little help from Robin Hood! Sample Texts: Play 1 St. George meets ... Robin Hood St. George: Ah Robin! Thank you so much for joining me this morning. I trust you have been given an explanation as to why you are here? Robin Hood: Indeed. And may I say, it is an honour to fulfill such a role. That is, to one such as yourself. Play 2 St. George: Please! A little respect for the dead! OK so Henry VIII wouldn't be most women's number one choice husband Robin: Not if they valued their necks! St. George: But his daughter certainly made up for his lack of heart! Elizabeth I: Good Queen Bess! That's what they called me! Play 3 Queen Eliz: Of course not! It was those other great qualities - of standing up for what you believed in St. George: Like when I stood up for my faith, even though it cost me my life. Churchill: "Courage is what it takes to stand up and speak.." Shakespeare: (Interrupting) "Friends, Romans and countrymen, lend me your ears .." Lennon: Sadly that Emperor Diocletian didn't lend his or he wouldn't have had you beheaded ... Play 4 St. George: But before we visit any of these places, let us quickly look at where England itself is. Robin: That's easy! South of Scotland and East of Wales! Play 5 Weatherman: Indeed. Every cloud has a silver lining! St. George: Really? Robin: Just an old English proverb. We have lots of those

The Good Samaritan Assembly or Class Play - CAST OF 10 NB: This play, cast of 10, is a re-telling of the parable with complementary discussion notes on the bystander effect. (The full-length assembly with a cast of 30 (separate purchase) starts with this same cast of 10 but has an additional 20 speakers dealing with ‘the bystander effect’ with reference to today’s society, delivered via five different scenarios). This script with a cast of 10 can be read in around 10 minutes (not including music suggestions at beginning and end). It is, of course, one of the best-known parables from the Bible and so can be used in an R.E. lesson or for Church and Sunday School activities. It has particular relevance in our world today and can thus be used for PSHE and Citizenship classes - the play acting as an introduction to a lesson on The Bystander Effect with all its implications for us as a society. Sample Text (Enter Good Samaritan) Jewish Man: Oh hello! And who do we have this time? (Groaning) Oh! A Samaritan! Just my luck! There’s no way he’s going to stop! (Good Samaritan bends over Jewish Man and offers to help him up) Good Samaritan: Oh dear! Whatever happened to you? Here, let me help you up. Jewish Man: Well, that’s very kind. And very unexpected! Good Samaritan: Whatever do you mean? Jewish Man: Well. You being a Samaritan and me being a Jew. We’re not exactly ‘on the same team’ so to speak, are we? Good Samaritan: And since when did ‘being on the same team’ have anything to do with looking out for your fellow human beings? Oh dear, you’ve taken a real beating there. I’m so sorry. Here, let me put some bandaging on those sores. (Good Samaritan takes bandages from his bag, and pours oil and wine over them) This should make you feel better. Jewish Man: You are so kind! Thank you so much. Good Samaritan: (Laughing) It’s nothing! You didn’t really think I’d leave you here? Just walk on by? Jewish Man: I most certainly did! Good Samaritan: (Laughing) Ridiculous! You seem to have lost all faith in your fellow mankind! Jewish Man: Well, let’s just say you just restored it – my faith in mankind, that is. Thank you again.

David and Goliath Assembly, Class Play or Guided Reading Script Cast of 10 Duration: 5 - 10 minutes reading time (not including music suggestions) This play may be used as an assembly for performance, or a play or guided reading script within the classroom. Along with delivering the story of David and Goliath, there are brief notes at the end to facilitate further discussion - on the themes of bullying, self-belief and self-strength. There are numerous other scripts on these themes in the PSHE section of the website including one on bullying which could be combined with this script to produce a longer play. Sample Text Goliath: Well, let’s see if he can work the same magic (pauses) on the battlefield! David: Against you? I’m more than up for it! King Saul: But that’s insane! Servant: Yes, begging your pardon, but how can you possibly hope to win (pauses, pointing at Goliath) against that? David: (Shrugging his shoulders, casually) What’s to prove? He’s just (pauses) Servant: (Interrupting) Big? Philistine Soldier 1: (Clapping) Bravo! Philistine Soldier 2: (Clapping) So you noticed? David: Huh! Size isn’t everything! (Goliath strides over to David, towering above him) Goliath: Oh really? (David stands his ground, unflinching) David: Yes, really! You don’t frighten me, you great bully! There’s more to winning a battle than sheer brawn, you know. Narrator: No, I rather fear he doesn’t know. I’m not even sure he understands what you’re saying! Goliath: (Furiously) Understand what you’re saying? What’s to understand, that’s what I want to know! Narrator: Quite! My point exactly! (David starts to walk away) Goliath: Huh! I knew he wouldn’t stick around! A coward, like the rest of you! King Saul: Oh, don’t be so ridiculous! Look at you! All ready in your battle gear! Does my lad David look ready to you? Goliath: Well, now you come to mention it King Saul: So. If you don’t mind, we’ll just take a short time to get David into my armour and David: (Interrupting) Oh don’t worry! That won’t be necessary! I’m pretty much good to go! King Saul: But what about some protection? A body shield at least? David: No, no. That won’t be necessary, either. I know what I need and I’ll be back in a minute. (Exit David) Goliath: Bah! Just an excuse to do a runner! You wait! There’s no way that wee boy is coming back to take on me!